Natasha Dusenjko is a multidisciplinary artist working across photography, sound performance, self-published ephemera, publication and digital image.
Her practice investigates threshold states through experimental, process-driven methodologies — guided by a sensibility rooted in the poetic. Source material is detected rather than composed, creating evidence of invisible processes and peripheral experience. This investigative approach, coupled with a refined sense of design, produces work between disorder and precision.
Works are conceived as interrelated projects evolving across iterations. Dissonant sound, monochromatic imagery, text, and frequency combine to map territories between presence and absence, legible and abstract. Photography becomes a carrier of something elusive; sound becomes spatial environment.
Self-published ephemera operates as both artwork and transmission object, carrying investigations beyond exhibition contexts into circulation and dialogue. This practice is represented in the National Gallery of Australia collection. The digital realm — including Instagram — functions as a generative medium and interference field rather than a documentation platform.
Recent projects include Mirror Field (Narooma, 2026), a three-month experimental studio investigation into sound, image and frequency supported by Create NSW and the Regional Arts Fund. Recent professional development includes the Photobook as Object workshop at Reminders Photography Stronghold, Tokyo (2025).
Dusenjko is based in Dalmeny on Yuin Country, NSW, where her practice is embedded in and responsive to regional community and landscape.
Enquiries, please contact: tash.dusenjko [at] gmail.com