Natasha Dusenjko (b. Melbourne, Australia) lives and works on the Far South Coast of NSW. She received her BFA with honours from University of Ballarat in 2003.
Working at the intersection of photography, publication, and sound performance, Dusenjko creates evidence of invisible processes. Her installations often combine experimental sound, large-scale monochromatic imagery, and sculptural objects to map territories that exist in the periphery of experience - between presence and absence, personal and universal, legible and abstract.
Her practice treats documentation as archaeology, excavating fragments of memory and lived experience through non-linear narratives. At the heart of her work is the transformation of ordinary processes - photography stops being documentation and becomes a carrier of something more elusive; sound becomes spatial environment; publication functions as evidence of processes that exist between what we can see and what we can understand.
She documents her conceptual development through self-published ephemera and folios that function as self-contained works, archives and catalysts for dialogue around personal and collective experience.
Recent recognition includes a High Commendation for the 2024 Windmill Trust Scholarship and participation in the prestigious 2025 Photobook as Object workshop at Reminders Photography Stronghold, Tokyo. Her work is held in the National Gallery of Australia collection.
Enquiries, please contact: tash.dusenjko [at] gmail.com